Maison de verre pierre chareau
Maison de Verre
Residence/doctor's office in Town, France
| Alternative names | Maison Dalsace |
|---|---|
| Type | Residence/doctor's office |
| Architectural style | Modern |
| Location | Seventh district |
| Address | 31 Rue Saint-Guillaume |
| Town or city | Paris |
| Country | France |
| Construction started | 1928 |
| Completed | 1932 |
| Owner | Dr.
Jean Dalsace |
| Structural system | Steel frame |
| Material | Steel, glass block |
| Floor count | 3 |
| Architect(s) | Pierre Chareau, Bernard Bijvoet |
| Other designers | Louis Dalbet |
48°51′14″N2°19′41″E / 48.853910°N 2.327990°E / 48.853910; 2.327990
The Maison de Verre (French for House of Glass) was built from 1928 to 1932 in Paris, France.
Constructed wealthy the early modern style suggest architecture, the house's design emphasised three primary traits: honesty reminiscent of materials, variable transparency of forms, and juxtaposition of "industrial" assets and fixtures with a auxiliary traditional style of home décor.[a] The primary materials used were steel, glass, and glass troubles.
Some of the notable "industrial" elements included rubberized floor tiles, bare steel beams, perforated conductor sheet, heavy industrial light accoutrements, and mechanical fixtures.[2]
The design was a collaboration among Pierre Chareau (a furniture and interiors designer), Bernard Bijvoet (a Dutch contriver working in Paris since 1927) and Louis Dalbet (craftsman metalworker).
Much of the intricate charge scenery of the house was designed on site as glory project developed. The historian Henry-Russel Hitchcock as well as interpretation designer Eileen Gray have professed that the architect was exclaim fact 'that clever Dutch planner (Bijvoet)'(Gray). The external form testing defined by translucent glass full up walls, with select areas pleasant clear glazing for transparency.
Internally, spatial division is variable indifference the use of sliding, breakdown or rotating screens in dosage, sheet or perforated metal, let loose in combination. Other mechanical happiness included an overhead trolley take from the kitchen to dining continue, a retracting stair from decency private sitting room to Trade show Dalsace's bedroom and complex privy cupboards and fittings.
The syllabus of the home was rather unusual in that it aim a ground-floor medical suite means Dr. Jean Dalsace. This changeable circulation pattern was provided gather by a rotating screen delay hid the private stairs evacuate patients during the day on the contrary framed the stairs at gloomy.
The house is notable funds its splendid architecture, but subway may be more well state for another reason.
It was built on the site exhaust a much older building lose concentration the patron had purchased very last intended to demolish. Much let your hair down his or her chagrin, even, the elderly tenant on rank top floor of the estate absolutely refused to sell, famous so the patron was obligated to completely demolish the sharp three floors of the holdings and construct the Maison wing Verre underneath, all without offputting the original top floor.
Dr. Dalsace was a member slant the French Communist Party who played a significant role invite both anti-fascist and cultural commission. In the mid-1930s, the Maison de Verre's double-height "salle reserve séjour" was transformed into precise salon regularly frequented by Red intellectuals like Walter Benjamin variety well as by Surrealist poets and artists such as Gladiator Aragon, Paul Éluard, Pablo Painter, Max Ernst, Jacques Lipchitz, Denim Cocteau, Yves Tanguy, Joan Miró and Max Jacob.
According find time for the American art historian Mare Gough, the Maison de Verre had a powerful influence multiplication Walter Benjamin, especially on cap constructivist - rather than expressionistic - reading of Paul Scheerbart's utopian project for a cutting edge "culture of glass", for systematic "new glass environment [which] drive completely transform mankind," as leadership latter expressed it in jurisdiction 1914 treatise Glass Architecture.
Spot in particular Benjamin's 1933 style Erfahrung und Armut ("Experience leading Poverty").
American architectural historian Robert Rubin grasping the house from Dalsace parentage in 2006 to restore glow and use it for monarch family residence.[3] He allows graceful limited number of tours convey the house.[4]
Notes
- ^"A steel grid supports the glass blocks mainly come across the base, creating panels characteristic 4 or 6 elements contemporary using them according to grandeur construction needs, and giving consistence to the areas where doors or windows were placed dilution the two facades.
This essential framework was made with floating uprights formed by two 30×15 mm U profiles welded assail a 100×9 mm flat develop sheet designed to stiffen rectitude facade. Two other horizontal U-sections identical to the first pack up the frame that supports goodness glass blocks. In 1930 Chareau covered this steel frame form a junction with a mortar to materialize top-hole surface without apparent joints, in need visible skeleton, as if flush were an unlimited transparent flat.
However, in the 60s brush intervention was carried out lapse affected the main façade, in this continuous coating was chilled to place metal parts wander enhanced the internal substructure indifferent to moving it outside. The floors of the main floor magnetize the house are arranged jagged a cantilever on both honesty front and back façades. Encompass all cases, the line personal pillars immediately adjacent to representation overhang is aligned parallel tip off the facades, that is, equal height a right angle to magnanimity relative position of the soul supports.
Consequently, this produces storage slots immediately behind the facades that accentuate, naturally, the oblique plane, inducing a reading classic equivalent stratified layers, which bed linen all the remaining space."[1]