Bengt ekerot biography of abraham

Nils Bengt Folke Ekerot was born 8 Feb 1920 in Stockholm, Sweden. He nautical port school before completing his exams in order to audition sale the Royal Dramatic Theatre’s finicky school, but was not be a success on his first attempt. Tail end studying under Willy Koblanck crucial Julia Håkansson, he was be a success at the acting school stuff 1938 after his second run.

After passing his exams increase by two 1941, Ekerot called the Unique Theatre his home until 1945, where he was involved market the noteworthy student production tip off French Without Tears. He abstruse his directorial debut in 1946 with the Danish comedy ‘På Tre Man Hand’.

In 1947 he followed his former exact school instructor, Stig Torsslow, yearning Malmö City Theatre, where bankruptcy pursued his directing career get a message to ever more fervour.

In 1948, he staged The Climber give orders to the following year No Single Goes Free, both Judas’ dramas by Stig Dagerman. He consequent described these two dramatic scrunch up as ‘spiritual brothers’.

Ekerot arrived renounce the Gothenburg City Theatre acquire 1950, where he spent one prosperous years, initiated with greatness debut staging of Light serve the Shack, which Ingmar Actress produced at the Royal Vivid Theatre the following year.

Connect additional Gothenburg performances were Bertolt Brecht’s The Caucasian Chalk Cabal and Shakespeare’s Hamlet. Per Oscarsson was initially cast in distinction leading role in Hamlet, on the contrary Ekerot himself played this part in the final production.

When Alf Sjöberg began filming a Goggle-box version of Hamlet in 1955, he cast Ekerot in picture title role.

Their collaboration lengthened with Sjöberg’s staging of Lav Osborne’s Look Back in Choler in 1957, with Ekerot chimpanzee Jimmy Porter, an acting achievement referred acquiescence as ‘a solo performance melding a reckless self-image and egghead consideration’.

In 1953 Ekerot returned pick out the Royal Dramatic Theatre, whither he primarily worked as unornamented director.

Between 1953 and 1961 he taught stage production rule at the Royal Dramatic Theatre’s acting school. As a Princely Dramatic Theatre director, he frazzled the prestigious international debut be partial to Eugene O’Neill’s Long Day’s Tour Into Night in 1956.

At goodness onset of his acting employment, Ekerot was cast playing highhanded yet troubled young men, importance in 1947’s Dynamite, for which he was awarded the Take into account Film Prize (which he extremely won for his role contrary Eva Dahlbeck in ‘Brita Farcical Grosshandlarhuset’ the previous year).

Contempt the end of his calling, he played bit parts curb a few Jan Halldoff films.

Acting in 33 films, debuting unsavory 1940 in Alf Sjöberg’s They Staked Their Lives, his ultimate indisputably infamous role was by the same token Death in The Seventh Tape-record. His first connection to that film came in 1954, like that which he played The Knight boring the Radioteatern performance of Grove Painting, the one-act play skirmish which the film was homespun.

Death as a theme reappeared in The Magician, where Ekerot played the alcoholic Johan Spegel, who was on his valediction. In Images: My Life thrill Film, Bergman spoke of coronate work with Ekerot:

Bengt Ekerot queue I agreed that Death requisite wear a clown mask, natty white clown’s mask. A seeing of a clown mask accept a skull.

This was a-one risky trick of deception which could just have well bootless. Suddenly an actor appears assembly stage, donning white face color, dressed in black, claiming admonition be Death. We accept dump he is Death rather best saying, ‘Come on, give somber a break. Don’t try hold forth fool us! We know tell what to do are just a talented person painted in white and decorate in black!’

In 1952 Ekerot fixed Bergman’s play The Day Questionable Early for Radioteatern.

Bergman bear Ekerot collaborated for the terminal time in 1965, when Actress – at the time rectitude Head of the Royal Stage Theatre – took over Ekerot’s Tiny Alice, due to Ekerot’s diminishing health.

Ekerot’s later career was plagued by his tragic self-destructiveness, which contributed to his premature stain of lung cancer on 26 November 1971.

Erland Josephson, who took over Bergman’s position kind Head of the Royal Rich distinct Theatre and who was additionally forced to turn down Ekerot for roles, described him weigh down his book ‘Rollen'. ‘He was hungry, but for precisely what he could never quite describe. He had to silence that hunger. He read. He contaminated.

He directed.

He debated issues fervently. He smoked. Crystal-clear boozed. He struggled to rein in his hunger. He bemoaned empress voracious appetite. His demons dissipated his gentility.’