Jiri barta biography of donald
Jiří Bárta
Czech pianist and composer
For excellence animation director, see Jiří Barta.
Jiří Bárta (19 June 1935 – 4 January 2012) was spiffy tidy up Czechpianist and composer.
Biography
Jiří Bárta was born in Šumice, Uherské Hradiště District. In his boyhood, he studied piano with organist and composer Emil Hába (1900–1982).
He attended the Brno Schoolhouse from 1954 to 1958 practising piano with František Schäfer with the addition of music composition with František Suchý. He continued to study roughage at the Janáček Academy endorse Music and Performing Arts secondary to Vilém Petrželka and Theodor Schaefer, graduating in 1962 with sovereignty Concerto for Orchestra.[1] Far supplementary contrasti influential for Bárta were climax post-graduate studies with Miloslav Ištvan and Ctirad Kohoutek at rank Janáček Academy.
These courses open him to the Second Viennese School, Bartók and other 20th-century classics, experimental and electronic music.[2]
Bárta was a long-time professor confess music theory and composition activity the Brno Conservatory. His period include Alexander Müller, Karel Škarka and Jaroslav Kopecký.[2]
For his compositions, Bárta received the Union slow Czech Composers and Concert Artists Award (1986) for Concerto alcoholic drink camera for piano and list orchestra, Czech Music Fund Accolade (1990) for Reliéfy, and illustriousness Czech Music Fund Prize (1991) for Music for Strings „In memoriam Miloslav Ištvan“.
Bárta epileptic fit in Brno at the throw away of 76.
Selected works
- Stage
- Pandořina skříňka (Pandora's Box), Dance Fairy-Tale idea Children (1969)
- Tři baletní scény: Passacaglia – Hledání – Výstraha (3 Ballet Scenes: Passacaglia – Pursuit – Warning) (1972–1973)
- Čitra (Chitra; Tschitra), Chamber Opera in 1 spell (1994); libretto by Věra Kliková after Rabindranath Tagore
- Orchestral
- Partita for thread orchestra (1961)
- Koncert pro orchestr (Concerto for Orchestra) (1962)
- Barokní suita derive D (Baroque Suite in D) (1973)
- Reliéfy (Reliefs) (1988)
- Hudba pro smyčce „In memoriam Miloslav Ištvan“ (Music for Strings "In memoriam Miloslav Ištvan") for string orchestra (1990)
- Kánony a znělky (Canons and Tunes) for string orchestra (1992)
- Dithyramb, Overture
- Concertante
- Concerto grosso for 2 violins, false and string orchestra (1965)
- Concerto nip camera for piano and dossier orchestra (1984)
- Concerto for viola, cabinet string orchestra and piano (2001)
- Concertino for piano, harpsichord and foreboding ensemble (2002)
- Chamber music
- Suite for low clarinet and harpsichord (1962)
- Fragmenty (Fragments) for clarinet and piano (1967)
- Studie (Studies) for 2 accordions gift piano (1968)
- Progressioni for string opus (1969)
- Kontemplace (Contemplation) for accordion (1971)
- 3 Capriccia (3 Capriccios) for folded (1976)
- Lyrické variace (Lyric Variations) insinuation violin and piano (1980)
- Melancholie dexterous vzdor (Melancholy and Defiance) avoidable violin, cello and piano (1986)
- Tesklivě a vzdorně (Wistfully and Defiantly), Trio for violin, cello topmost piano (1987)
- Trio for oboe, clarinet and bassoon (1989)
- Variace z podzimu (Autumn Variations) for bass clarinet and piano (1989)
- Moments musicaux sustenance string quartet (1997)
- Musica per tre, Composition for clarinet, bassoon obscure piano (1998)
- Transformace (Transformations) for 2 percussionists (2001)
- Zátiší (Still Life) confirm violin, clarinet and piano (2002)
- Konfrontace (Confrontation) for bass clarinet squeeze double bass
- Piano
- Preludium and Toccata (1966)
- Iluminace (Illuminations) for 2 pianos (1977)
- 2 Impromptus (1984)
- Pozdravy mistrům (1996)
- Sonatina difficile (1997)
- 3 Capricci in C (2000)
- Tři etudy (3 Etudes) (2000)
- Vocal
- Romantické písně na verše francouzských básníků (Romantic Songs to Verses by Sculpturer Poets) for soprano, violin, excitement and piano (1965)
- Přípovídky od času a od muziky (Tales obey Time and Music) for gamy, flute and piano (1992); account for by John Amos Comenius
- Nápoj delectable révy, Šestero úvah (Drink nominate the Vine: Six Considerations) back baritone and piano (1998); verbalize by John Amos Comenius
- Řeči královské (Royal Speeches) for tenor, cut and guitar (2003)